window Winnipeg and Tabita Rezaire: Deep Down Tidal, On View Until August 13

WINNIPEG'S ONLY 24 HOUR ARTIST-RUN CENTRE PRESENTS TABITA REZAIRE

Location: Artspace Building, corner of Bannatyne @ Arthur [sidewalk level]

window is pleased to present our fifty-fifth installation:

Deep Down Tidal
HD video, 18min44s, 2017
By Tabita Rezaire, on view until August 13, 2022.

Watch Deep Down Tidal: https://vimeo.com/248887185

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Deep Down Tidal excavates the power of water as a conductive interface for communication. From submarine cables to sunken cities, drowned bodies, hidden histories of navigations and sacred signal transmissions, the ocean is home to a complex set of communication networks. As modern information and communication technologies become omnipresent in our industrialized realities, we urgently need to understand the cultural, political and environmental forces that have shaped them.

Looking at the infrastructure of submarine fibre optic cables that transfers our digital data, it is striking to realize that the cables are layered onto colonial shipping routes. Once again the bottom of the sea becomes the interface of painful yet celebrated advancements masking the violent deeds of modernity. Deep Down Tidal navigates the ocean as a graveyard for Black knowledge and technologies. From Atlantis, to the 'Middle passage', or refuge seekers presently drowning in the Mediterranean, the ocean abyss carries lost histories and broken lineages while simultaneously providing the global infrastructure for our current telecommunications. Could the violence of the Internet lie in its physical architecture?

Like countless African and indigenous traditional sciences, research in physics now suggest that water has the ability to memorize and copy information, disseminating it through its streams. What data is our world's water holding? What messages are we encoding into our waters? Beyond historical sorrow, water is a portal to other realities as its mysterious sea life of mermaids, water deities, and serpent spirits celebrated in many cosmologies remind us.

Deep Down Tidal enquires the intricate cosmological, spiritual, political and technological entangled narratives sprung from water as an interface to understand the legacies of colonialism.

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About the artist:

Tabita Rezaire is infinity longing to experience itself in human form. Her path as an artist, devotee, yogi, doula, and farmer is all geared towards manifesting the divine in herself and beyond. As an eternal seeker, Tabita's yearning for connection finds expression in her cross-dimensional practices, which envision network sciences - organic, electronic and spiritual - as healing technologies to serve the shift towards heart consciousness.

Embracing digital, corporeal and ancestral memory, she digs into scientific imaginaries and mystical realms to tackle the colonial wounds and energetic misalignments that affect the songs of our body-mind-spirits. Tabita's work is rooted in time-spaces where technology and spirituality merge as fertile ground to nourish visions for connection and emancipation. Through screen interfaces and healing circles, her offerings aim to nurture our collective growth and expand our capacity for togetherness.

Tabita is based near Cayenne in French Guyana, where she is birthing AMAKABA - her vision for collective healing in the Amazonian forest. Tabita is devoted to becoming a mother to the world.

Her offerings have been shared widely – Centre Pompidou, Paris; Palais de Tokyo, Paris; MASP, São Paulo; Serpentine, London; MoMa, NY; New Museum, NY; Gropius Bau, Berlin; MMOMA, Moscow; Museum of Contemporary Art, Chicago; ICA London; V&A London; National Gallery Denmark; The Broad LA; MoCADA, NY; Tate Modern, London; Museum of Modern Art, Paris – and presented for international biennales in Shanghai, Guangzhou, Kochi, Athens, and Berlin and Sydney.

She is represented by the Goodman Gallery in South Africa.

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window

window is located on Treaty 1 Territory, the original lands of Anishinaabeg, Cree, Oji-Cree, Dakota, and Dene peoples and the Homeland of the Métis Nation. window is co-curated by Noor Bhangu, Mariana Muñoz Gomez, and Jennifer Smith.

This installation was made possible with the generous support of the Winnipeg Arts Council.

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